Two BBC documentaries which are available to watch right now show just how much Islamic State hated beauty, history, freedom, music and art.
In the The Road to Palmyra, architectural historian Dan Cruickshank and photographer Don McCullin journey to Palmyra to observe the destruction IS wrought after they invaded the ancient Syrian city in 2015. Cruickshank is visibly overcome at times as he discovers just how much precious human history IS tried to obliterate.
Manchester: Bomb Our Storyinterviews the young victims of the 2016 bombing of Manchester Arena, all of whom are deeply traumatised by the wicked events of that night. They were supposed to enjoy an evening of innocence, dancing, laughter and fun. But a crazed, murderous terrorist had other plans.
I highly recommend you watch these two deeply moving and insightful films.
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I was very heartened to see people stand up for the 17-year old high school girl who was attacked by a Twitter mob for wearing a traditional Chinese qipao or cheongsam to a dance. Keziah Daum from Utah had posted pictures of herself with her friends posing in the dress on the night of her prom. A Twitter user by the name of Jeremy Lam accused her of cultural appropriation in a tweet that was shared 179k times: Read More…
Night Will Fallis a powerful documentary about the footage captured by Allied forces of newly liberated concentration camps, in the closing days of WW2, that was later made into a film titled German Concentration Camps Factual Survey(1945).
The scenes the soldiers were confronted with were so shocking that they feared no one would believe that they were real. Indeed the first accounts that Soviet soldiers had given of Auschwitz and Majdanek in eastern Europe were written off by Britain and America as atrocity propaganda. They soon realised how wrong they were. In fact, the Soviet footage of Auschwitz contains some of the most infamous images of the monstrous extermination camps. An elderly Soviet soldier interviewed in Night Will Fallis overcome with emotion as he remembers the terrible things he saw.
The army cameramen carefully documented the gruesome reality of the camps and the appalling cruelty that had taken place there. It was decided that the reels would be made into a film about humanity and civilisation and what happens when human beings descend into utter barbarism. The legendary media mogul Sidney Bernstein was contracted to make the film along with acclaimed director Alfred Hitchcock and writer Richard Crossman. They worked with a team of editors and technicians to organise the footage into a well scripted and coherent narrative. It was a harrowing task which surviving editors interviewed in Night Will Fallrecall with horror.
In the end, however, the film was never finished. It was stored away in the National Archives, along with Bernstein and Hitchcock’s notes and Crossman’s script. Night Will Fallexplores the political reasons for why this happened. The film also contains interviews with historians from the Imperial War Museum in London who began to restore and complete the documentary in 2008 and released it as a film in 2014.
The footage was used during the Nuremberg trials as evidence to convict Nazi war criminals.
It still stands today as an incomparable testament of man’s inhumanity to man.
“… several British charities, in cahoots with some British unions, are making a concerted effort to close down hundreds of schools in Africa. They are doing this because they dislike private education, seeming not to care that this will destroy the life chances of thousands of desperate children, forcing them, at best, into state schools where the teachers are often absent, drunk or incapable.
The campaign involves not only an alphabet soup of left-leaning charities from Action Aid to Amnesty International but also Unison and the National Union of Teachers (NUT). Their attacks are directed at Bridge International Academies, a private company backed by, among others, Bill Gates and the British government.” Read More…
Every now and then, social media conspires to produce a perfect storm of idiocy and moral bankruptcy so backward as to make one speculate about the possibility of living in some kind of surreal simulation populated by half-wits. Of course, I should know by now not to be surprised by the depths to which political discourse has sunk on social media. For the politically-minded, Facebook and Twitter can become an addictive form of torture, a sort of digital self-harming ritual. Last week, however, I saw something that makes a pretty conclusive case for the corrosive effect of social media echo chambers on both intelligence and decency. Read More…
Last week, the writer Sam Harris posted an incredible conversation recorded between himself and Christian Picciolini, a former neo-Nazi who now tries to counter extreme political beliefs with what he describes as “listening” and “compassion”. Picciolini has a lot of insight into what drives ideological fanaticism and he knows that much of it fuelled by emotional undercurrents of insecurity, self-loathing and basic ignorance.
“Her decision to leave the WBC was not a Damascene conversion. It was part of a long process of engaging with people who opposed her on social media. Often they did so with anger or bemused disdain, but, occasionally, she would encounter individuals who would argue with her civilly. It was these discussions that began to slowly chip away at her harsh worldview, eventually causing it to collapse.”
For several years now, the BBC Radio 4 review programme Front Row has been more or less explicitly campaigning against crime drama involving depictions of violence against women. When the BBC first broadcast the first season of Happy Valley, John Wilson interviewed writer Sally Wainwright, and he supplemented high praise for Wainwright’s work with challenging questions about the dramatic treatment of violence against women. At the time of the third season of The Fall, Samira Ahmed took Gillian Andersen to task over the violence towards women portrayed in earlier seasons. And around the time the third season of Broadchurch was being shown on ITV, John Wilson, interviewing David Tennant, held the actor’s feet to the fire in connection with the representation of rape in the drama. Read More…